Monthly Archives: October 2012

Hoax Advertising: Shell vs Greenpeace

The rise of the Internet has brought with it a mammoth network of advertising potential. With the ease of uploading, relatively smaller financial cost and a huge prospective audience, online commercials are rapidly pushing print advertising to the brink of extinction. Somewhere since the inception of online campaigning, the phenomenon of ‘hoax advertising’ has pushed its way to the surface. The idea of hoax advertising centres on the idea of creating a campaign that mocks the brand image at which it is pretending to promote. In the majority, the creators of the hoax harbor some political or social grudge against a company, and seek to convey such flaws through the circulation of misleading advertisements.

 

 The latest example of hoax advertising has come at the expense of Shell, through a series of images mocking the company’s ‘Lets Go’ campaign. Environmental activist group Greenpeace hijacked the Imagecampaign, which was initiated by Shell to promote support for the idea of drilling for oil in protected Artic lands, in an effort to do just the opposite.  The elaborate hoax consisted of three main stages. The first involved the hosting of a fake Shell party, celebrating the beginning of the artic drilling. The video depicts bystanders being soaked with oil, protruding from a small rig modeling the one used in the Arctic. The second phase of the hoax invited Internet users to enter into an advertising competition, mocking Shell through facetious humour and derogatory captions.  The third stage saw the launch of the @ShellsPrepared Twitter account, in what would seem an awkward attempt from Shell to explain an advertising competition gone wrong, adding further credibility to that belief of thousands that the campaign was indeed real.

 

The final stage of the hoax can be blamed for its success, pushing its status from popular to viral. The clumsy Twitter account made quiet pleas to its followers to understand that the campaign had simply ‘gone wrong’, and to move past the mistakes of the Shell PR team. Just as the Greenpeace team had envisioned, the tweets launched the campaign onto a different level of success, as debates became more contentious as to the truth behind Shell’s supposed PR fail. 

 

The Shell hoax is an example of just how effective online advertising has the potential to be. With the absence of a million dollar budget, suited up marketing executives and high-end web designers, Greenpeace were able to create a campaign that embarrassed, mocked and exposed Shell in a way that only the Internet could facilitate. The careful collaboration of videos, links and competitions, Greenpeace created a campaign that diminished the traditional boundaries between the marketer and the consumer. Instead, the campaign gorged itself on citizen participation, so much so that the hoax was ultimately successful because of those who submitted captions, forwarded emails and shared links, rather than the Greenpeace minds that concocted the base elements of the campaign.

 

“It’s that willful suspension of belief. This is why hoaxes often work. We know it’s too good to be true, but we still want it to be…”

-Kashmir Hill (Forbes Magazine Journalist) 

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What about my ball sack?

From the heading alone, most of you should already know what advertisement I’m referring to. We all know it, the latest and greatest in controversial TV ads, the latest source of gossip for Australia’s feminist elite.

 

The LYNX ad, which describes the most effective wayImages to clean your sporting “balls” takes the idea of subtly and laughs in its face. With one liners including, “no one wants to play with dirty balls”, “that’s a big ball sack” and “but what about my saggy balls?” I’d be amazed if anyone, regardless of age, sex or gender, remained oblivious to the raging sexual innuendos that make up the entire commercial.

For obvious reasons, the campaign has outraged some of Australia’s leading intellectuals, including prominent psychologist and author Michael Carr-Gregg, who described the controversial advert as “completely inappropriate…add[ing] to the shadow of pornography that our children are growing up in”.

 

With comments such as these circulating throughout the media, LYNX have hit their jackpot. The dangerous concoction of perceived sexism, ageism and racism has stirred mass debate, adding drive to an already successful campaign.

 

Although it may have pushed the boundaries a little too far, LYNX know their target market, and they’ve attracted that demographic with seemingly effortless ease. What young male isn’t going to have a chuckle, guiltily or otherwise, when the ad pops up on their TV? I sure do. That’s not to say that I don’t appreciate the blatant sexism apparent in the ad, just that I find the image of Sophie Monk and her botox-ed lips amusing in any scenario.  

Snake Oil and Fish Oil

Similar to my ‘Here’s Target-ing You’ post… unnerving what the internet knows about you. I’m pretty sick of online fashion ads popping up on the side bar. Can a 20 year old female care about things other than what shoes to wear? Apparently not.

sunymoney

ImageAny variety of websites that somehow know I’m a 21 year old male frequently bombard me with offers to allow me to “Get Ripped Fast!” or tease me with illusions of 3 easy anabolic secrets that a “28 YEAR OLD STAY AT HOME MOM” discovered (also- “scientists hateher!!”). Out of curiosity I have looked into them. A vast majority of the ‘secrets’ of the get-a-6-pack-overnight advertisements offer usually take form of a mysterious powder in a jar covered in pictures of bodybuilders, that usually costs 20-40 dollars.

Once I looked into it I was thunderstruck. Protein, creatine, arganine, L-arganine (not to be confused with regular arganine, I guess), time released amino acid supplements, the list goes on. And the more I researched the actual effects of most of the products, is negligible. The actual effects of some of these supplements such as Jack3d (now banned by the NCAA…

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Hoyts life, hard life

For the past two years, I’ve been making some cash on the side with Hoyts. I work in management, so I’m pretty lucky to be able to get paid to sit in an office and make sure everything runs smoothly, which, in the majority, it does. In addition to being a pretty cruisy way to earn money, there are some definite perks to working in the cinema environment. Good pay, cool people, and here’s the best part – I can go see movies anytime I want, for the low, low price of free.

As you can imagine, I use and abuse my free tickets on a pretty regular basis, usually as a form of procrastination (take yesterday for example, did I knuckle down and punch out some hard-hitting blogs? No. I went and saw Paranormal Activity – I hate scary movies).

The only downfall of seeing movies on a tri-weekly basis? Getting to know the pre-show advertising reel on a far too detailed level. Hoyts, you’re good to me, you really are – but the head of advertising and I need to have a serious chat about what we’re forcing our patrons to sit through. I’m sure some of you bloggers out there are members of the Hoyts Rewards program (if not, you should be – students get $7.5 tickets every Monday, what a win). Maybe you signed up as a result of the ad, but somehow, I doubt it. Lets take a look shall we?

Right. Lets talk about what we’ve just seen. From the first second, we are exposed to the heinous acting skills of the leading lady, doing something that I think is supposed to resemble crying, but I honestly cant be sure. 3 seconds in – My God. Some demonic force has invaded the poor woman’s body, forcing her in a violent motion upwards and resulting a devastating popcorn spillage. Sorry lady, no refunds for spiritual possession. Lets skip forward to 24 seconds in. TOY BOY *cough cough*.

Hoyts, do me a solid and mix things up a little. I’m getting to the point where if I watch this ad one more time, I might do something I regret. Something crazy. Write an email or something messed up like that. Don’t push me, I’ll do it.

TAC

The Transport Accident Commission (TAC) has a few things in life down to fine art. They’re not bad at throwing you some cash when you’ve been inured in a transport related accident. They look after the budding young footballers of the world, sponsoring high school aged boys in their pursuit of the AFL dream.

But the one thing they’re best at, without competition, is heart wrenching advertisements that take your emotional well being and beat it within an inch of its life.

The advertisements of the TAC have no limits. As media subjects, we’re accustomed to watching films and

Imagetelevision, where the camera will dramatically shift away from the gruesome image which you were about to see. It’s something of a courteous omission, crediting the audience with an ability to understand what atrocities are unfolding without forcing them to watch it. The TAC have taken such accepted boundaries and cut them down, exposing the viewer to every possible outcome of human recklessness one the road.

The genius of the TAC campaigns centre around its ability adapt in accordance with the dangers that threaten the modern roads. With a rapid ability to assess potential dangers and create hard-hitting advertisements that reflect them, the average Victorian is left with no valid reason to remain ignorant to activities that should never be mixed with driving. Since the first ad in 1989, “Girlfriend”, concentrating on the danger of alcohol presence on the roads, content has expanded to incorporate more current issues, such as the danger of ignoring motorcyclists or mixing ‘party drugs’ with driving.

Similar to the Worksafe and ‘Slip Slop Slap’ campaigns, TAC’s adverts attempt to modify their audience’s behaviour, a unique style of advertising not often seen within mainstream media. Since 1989, the number of deaths on Victoria rolls have halved, according to the TAC website. An impressive feat indeed, but should the TAC be labeling this a victory purely of their own advertising success? Within their research of the TAC’s program effectiveness, Monash University Accident Research Centre (MUARC) cited factors such as the economic downturn as of critical importance to the decline in the road tolls, “The original MUARC work acknowledged that the economic factor was substantial—that about 25% of the road toll reduction was due to that alone”.  Lets not ignore the fact that MUARC also acknowledged that 63% of the difference in road deaths was a result of TAC funded advertising – not a bad effort I’d say.

ImageThe TAC advertisements may not be all sunshine and bunnies, but they’re doing an impressive job in grabbing our attention. It’s a glitch in our nature – a morbid fascination with the gruesome; a desire to watch the horrible unfold; a compulsion to peek through our fingers and assess the carnage. The TAC has latched onto our guilty attraction to the forbidden, and is exploiting it in every which way it can. I don’t know about you, but I’m alright with it. I don’t want to get mowed down by some drunken P plater, and if their adverts are going to decrease the likelihood of that happening, then exploit away my friends

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Romeo and Juliet, Jack and Rose, Ginny and Harry…

Rhonda and Ketut.

The Australian car insurance advertising landscape has taken an unexpected turn, with the initiation of its first impossible love. Fiery haired Rhonda and Balinese hotel manager Ketut were never meant to fall for each other, yet an unrelenting mutual love of safe driving created a match made in AAMI heaven.

The ‘Rhonda and Ketut’ campaign comprises of a series of snippets from Rhonda’s ‘journey to Bali’, the financial side of which was of course made possible through the savings accumulated from AAMI’s safe driver rewards program.

With over 50,000 views on YouTube and a Facebook page with 113,000 members, Rhonda and Ketut have solidified their status as advertising icons. Yet, their cult following is not wholly convinced with the notion of an innocent love.

On the one side of the debate, we have the “Rhonda is mine!” t-shirt wearing fanatics who take the advert at face value  – that the advert depicts nothing more than a middle-aged Australian woman who has travelled to Bali and engaged in some harmless flirting with a Balinese local.

On the other side, we have the more cynical approach, the angered viewers who abide by the opinion that the campaign reinforces issues of colonial supremacy and creates connotations of sex slavery. A little drastic perhaps, but I can understand their point – an Asian man in his twenties waiting on a middle-aged white woman… alarms were always going to be sounded.  Unfortunately, Ketut can be portrayed in a manner of unfortunate lights – perhaps the most prominent as a desperate Balinese man using middle-aged-slightly-tubby Rhonda as his meal ticket.

The literature surrounding the campaign is surprisingly dense, yet it was a unique insight by Lauren Rosewarne that interested me most. That being, that the portrayal of an Asian man as ‘sexy’ within Western culture should be congratulated rather than condemned. Rosewarne prompts the question, in a country with over 2 million Asian citizens, how is the Australian media so immune to Asian influence? Running with this tangent, is the cynicism evident towards this advert a direct reflection of our lack of exposure to Asian actors on our screen? I would suggest that if there was a Chinese, Japanese, Korean or Singaporean man on our televisions every second minute, we wouldn’t run to immediate conclusions of sex slavery when a Balinese man popped up on our car insurance ads.

Looks like I’ll be investing in a “You look so hot today Rhonda” t-shirt after all.

http://www.youtube.com/watch?v=85ubtVs5n6A

AAMI – Advertising geniuses or racist colonialists?

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Guerilla Marketing

Great article surrounding Banksy’s cynical outlook on the power of advertisements, with some fantastic artwork to keep you interested…

The answer is plain

To all you smokers out there, the habit’s about to become a whole lot less stylish. Those pretty colours, logos and fonts are about to be wiped away, replaced with a hideously ugly olive packet, decorated only with the gruesome picture of some poor soul with mouth cancer or foot gangrene.

On August 16th 2012, the High Court rejected Big Tobacco’s claim that the plain packaging legislation infringed section 51 of the Australian Constitution, the right to acquire property ‘on just terms’ (the section that The Castle’s all about). Having restricted television and radio advertising already, the legislation to ban package branding marks a point in time where the public advertising of tobacco brands will become something entirely of the past.

Stripping away a company of its marketing power raises a whole lot of tricky issues – intellectual property infringement and increased black market trading just to name a couple.  Yet, on the other hand, we’ve been shown the dangerous impacts individualised packaging can have on current and potential tobacco consumers. Studies by GFK Bluemoon revealed that brands and designs were seen to distort logical opinions of tobacco products. For instance, lighter coloured packs were seen as better for ones health, and particular brand logos, such as Benson and Hedges, indicated wealth and success of the owner.

Online campaigning has comprised the majority of the campaign’s momentum. Although traditional media outlets have played their part, YouTube advertisemens, online polls and petitions have been the main player in the fight against cigarette branding. To support the plain packaging campaign, head to https://action.cancerresearchuk.org/ea-action/action?ea.client.id=149&ea.campaign.id=15571

So… here’s my own little poll (#shamelesssearchformarks #hookmeupwithanH1doug)

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